专辑英文名: Vivaldi

专辑中文名: 韦瓦第：四季 --- 手风琴礼讚

艺术家: Richard Galliano

古典类型: 全集作品

资源格式: FLAC

发行时间: 2013年08月27日

地区: 法国

语言: 英语

 

专辑介绍:

韦瓦第: 四季 --- 手风琴礼讚

理查．盖利安诺，手风琴

理查．盖利安诺是著名的法国爵士手风琴演奏家，出版过数十张膾炙人口的爵士与法国民歌专辑。近年来，他把触角延伸到将古典曲目改编成手风琴曲，相当受到爱乐者的欢迎。「手风琴的声音相当纯净清澈而且有明显的特色，能让音乐带有更多的诗意与情感。」理查．盖利安诺说。

韦瓦第的《四季》小提琴协奏曲应该是巴洛克时期最具代表性的作品。韦瓦第以乐声绘成谱上所写的十四行诗画面，活泼令人振奋的节奏，令人聆赏时很容易随乐声行进产生一种对季节岁月的情景构图。再加上典雅工整的巴洛克风格，在在使它成为古典曲目数一数二的受欢迎作品。理查．盖利安诺在这里把它改编成手风琴加上弦乐五重奏的编制，清新的面貌让人耳目一新，也证明韦瓦第的音乐没有国界，更不受时空的约束。

接下来的乐曲是改编自韦瓦第歌剧《庞多的阿西达女王》与《朱斯提诺》里的著名咏嘆调，重心放在手风琴与数字低音（低音提琴）间的单纯对话。但是，《朱斯提诺》〈我会见到我的挚爱〉还同时收录手风琴加上弦乐五重奏的版本。同样的曲子，同样的独奏乐器却有完全不一样的风貌，丰富的想像力令人讚嘆不已。

【曲目】

韦瓦第：E大调为小提琴、弦乐与数字低音所写的协奏曲第一号《春》，RV 269

[1] 第一乐章：快板

[2] 第一乐章：缓板

[3] 第一乐章：快板

韦瓦第：G小调为小提琴、弦乐与数字低音所写的协奏曲第二号《夏》，RV 315

[4] 第一乐章：不很快的快板

[5] 第二乐章：慢板

[6] 第三乐章：急板

韦瓦第：F大调为小提琴、弦乐与数字低音所写的协奏曲第三号《秋》，RV 293

[7] 第一乐章：快板

[8] 第二乐章：很慢的慢板

[9] 第三乐章：快板

韦瓦第：F小调为小提琴、弦乐与数字低音所写的协奏曲第四号《冬》，RV 297

[10] 第一乐章：不很快的快板

[11] 第二乐章：缓板

[12] 第三乐章：快板

[13] 韦瓦第：我是那朵苿莉花（选自歌剧《庞多的阿西达女王》）

[14] 韦瓦第：我会见到我的挚爱（选自歌剧《朱斯提诺》）

[15] 韦瓦第：我该回到初恋的怀抱（选自歌剧《庞多的阿西达女王》）

[16] 韦瓦第：我会见到我的挚爱（选自歌剧《朱斯提诺》）

Performer: Jean-Marc Phillips-Varjabedian, Sebastien Surel, Jean-Marc Apap, Eric Levionnois, Stephane Logerot

Conductor: n/a

Composer: Antonio Vivaldi

Audio CD (August 27, 2013)

Number of Discs: 1

Label: Deutsche Grammophon

ASIN: B00C0YN39O

The first concertos -- works typically for one or more soloists and orchestra -- date from the late 17th century, and new ones are being written every year. The genre gives a talented soloist the chance to strut his or her stuff. Yet it also seems to embody the relationship between the individual and the crowd. Several beloved concertos originated in the late Baroque era, including Vivaldi's violin concertos entitled the "Four Seasons," and Bach's "Brandenburg Concertos," which represent the concerto grosso form -- a group of soloists accompanied by an orchestra. The touring virtuoso tradition of concerto performance began with Mozart and Beethoven, flourished in the 19th century when composers such as Liszt and Tchaikovsky were happy to push soloists to their technical limits, and continues even now. Concertos will be written as long as the idea of the one against the many remains relevant.

 

法国手风琴大师

相信无论是喜欢手风琴、爵士乐、探戈音乐或是欧洲音乐的朋友对这位现今最重要的音乐家一定不陌生。

演奏曲风横跨巴黎华尔滋、巴哈、Piazzolla、爵士乐至韦瓦第。更与全世界最出名的音乐家，包括Al Foster, Ron Carter, Chet Baker, Michel Petrucciani, Michel Portal, Biréli Lagrène, Wynton Marsalis, Toots Thielemans等人合作。更曾任多年法国歌手Claude Nougaro乐团的钢琴手及手风琴手

Release Date April 1, 2013

Duration 47:41

Genre Classical

Styles Concerto Opera

Review by Blair Sanderson [-]

At first blush, Richard Galliano's performance of Antonio Vivaldi's Four Seasons may seem to be a novelty recording, but to describe it that way would be a disservice to his extraordinary virtuosity and impressive comprehension of the music. The accordion may not be to everyone's liking, as its status in both popular and classical music has always been subject to taste, but no one could seriously question this French accordionist's prodigious abilities with the instrument, which he treats as nimbly and as expressively as a violin. Of course, choosing Vivaldi's greatest hit as a vehicle is a pretty safe bet to attract a new audience, and Galliano seems to relish the opportunity to make this perennial favorite a part of the accordion's repertoire. This is Galliano's second album of classical music on Deutsche Grammophon, following his 2010 Bach album, and while he is perhaps better known for his recordings of jazz standards and film themes, most notably on his 2011 CD of the music of Nino Rota, his affection for Baroque masterpieces is sincere and it shows in his meticulous playing. For filler Galliano also performs arias from Vivaldi operas Il Giustino and Arsilda, regina di Ponto, backed by continuo. But as attractive as these pieces are, most listeners will return again and again to hear the Four Seasons, which is a tour de force for the instrument.